Practicing with the inktense, and markers, and metallic.
Practicing with the inktense, and markers, and metallic.
Trying to focus on shadow and light.
Trinh is one of my favorite heroes to paint, and one of the hardest to write. Enjoyed pushing myself with the watercolors, also.
Practicing clothes, bows, and warriors.
Inktense on gesso. It’s almost like paint.
“We’re going to kill Narya Magnifique,” replied Trinh, mildly.
My breath caught, but Mistress Cadenera didn’t choke or recoil. She met Trinh’s stare with such knowing it was evident she’d guessed our purpose already and had simply wanted to know what we’d say. Then she smirked. “I like you. They say you’re the lost prince.” Her eyes flicked to Namal, “Course, they say you’re the lost prince, too. I find that a touch confusing.”
“It seems the Nether Queen leaves a trail of lost princes,” said Namal with a shrug. “Conquest has consequences.”
Mistress Cadenera snorted. “Consequences? That witch doesn’t get consequences near enough.” She leaned forward, “Look here—my son-in-law died in the Cathedral Square and my poor daughter and her babes haven’t stopped weeping since. I like that you’re straight forward, and I like what you aim to do. But if you fail, more heads than yours will roll.”
Trinh remained relaxed in his chair, fingering the handle of his tankard. I had to admire his composure. “We’re aware of that, that’s why I told you our goal.”
She pursed her lips and studied Trinh, then Namal, then Trinh again. She fished a handkerchief out of her pocket and mopped the sweat off her face. “How many of you need in?”
“Four,” replied Namal.
She nodded. “Strapping fellas like you?”
“I could use a few stage hands, to set up beforehand. But, normally most of the hands clear out of the Ball before the performance.”
“That’s fine, if we can get in, we can slip away inside,” replied Trinh, then, seeing the Mistress’s frown he quickly added, “—after we help set up, of course.”
“For this to work,” said the woman, sternly, “I need you and whoever else to report to my theater tomorrow, and every day between. You need to be trained as a hand, and paid as a hand, and work as a hand. I am innocent of your treachery, should you fail.”
“Of course,” said Namal, “They can also perhaps disguise themselves while they work at your theater, and then change at the Ball, so they perhaps won’t be connected to you at all.”
“They?” the woman looked at him sharply, “You’re not one of them?”
Namal inclined his chin slightly, “I have another way into the Ball.”
She chuffed, “Pity.”
Namal looked uncomfortable for a heartbeat before sliding back into his easy bearing. “There is little we can offer you in payment.” Namal slid a slip of paper across the table to the theater mistress.
She looked at the paper, then slid it back. “Pay me double if you succeed. If you fail, I don’t want anyone looking my way or asking where I got my extra money.”
The princes exchanged glances. Then Namal said, “You have our word.”
“Is this agreeable to you, Mistress Caderena?” prompted Trinh.
She drew a deep breath and let it out. Her face burned with intensity. “Yes.” She nodded, as if to herself, then said again. “Yes.” She raised hard eyes to the princes. “Tomorrow, one hour after dawn, I expect your four at my theater ready to work. The other extra hands are reporting at the same time.” Mistress Cadenera finished the ale in her tankard and stood up, “May Eloi guide your steps,” her voice was gruff, somehow turning the traditional farewell into a raw wish. She turned and made her way back through the crowded room and out through the little door.
“There’s one piece,” said Namal. He looked at Trinh, “You’ve picked your men already?”
“Yes, Baldric and I are too likely to be recognized, so we will sneak in through the tunnels and join the nobility in disguise,” Trinh tipped his head at Baldric, “I’m sending the twins, Rakov and Rae’d, and also Elaer and Jasem, to the theater.” Four of the eight knights who’d been with him when he struck out for Dalyn and arrived six years later. “Have you heard from your brother?”
“Yes,” Namal flicked his eyes to me, “I sent the captain back to him with a raven to go with him. He is leaving tonight to scout up the river.”
Alone. Worry niggled through me, and I reminded myself that one half-blooded prince would be hard to detect, much less catch. Even if his only back up was a bird. Ravens were exceptional birds, many of which would speak human language and they were unparalleled as scouts and messengers. But they were still just a small ball of wings and feathers if you got into a fight.
“Good,” Trinh lifted his tankard. “I’ll pass word to my men tonight. I sent them to find out what barges would be on the river providing lights for the ball. My hope is to set up my marksmen on the river if any of the barges will be tall enough this year.”
“I would get your other two men into the ball, also, if at all possible,” said Namal. “We need as many bodies as we can get, if anything goes wrong I don’t want to be relying on the King’s personal guards to get us out.”
“Moonie knows which bakers are coming in to help the night before,” put in Domjoa. “Perhaps they might need someone to carry bread…”
I leaned out of my shadow, “If we are open to smuggling them in early, couldn’t they take the tunnels, and get someone to steal servant uniforms for them so they can get into the ballroom?” The men looked me. I shrugged, “Assuming, they aren’t all so huge people would get spooked…”
Trinh looked to Baldric, who looked thoughtful. I wondered if he ever spoke. After several long seconds Trinh said, “I’ll talk to Tarr.”
When the ale was finished, we left. Buttoning shirts and over shirts as we ascended the stairs and wrapping up in cloaks when we entered the relief of the cool crisp night and lost ourselves in the swirl of snowflakes.
I have several different versions of this in my notebooks. Still haven’t managed to make it come out quite the way I want.
I have this color called bloodstone. I mix it with phthalo blue and ultramarine and have all the best fun.
I went a little crazy the other night. You can tell the dress was the culmination of the evening’s practice. By far the best use of light and dark. Also another chapter in me torturing mixed media paper and forcing it to carry watercolors (which, its not REALLY meant for…hence wrinkles).